Editors’ Introduction: Theory and Craft in Narrative Inquiry Colette Daiute and Cynthia Lightfoot // Part I: Literary Readings // 1.1 The Role of Imagination in Narrative Construction // Theodore R. Sarbin // 1.2 Fantastic Self: A Study of Adolescents’ Fictional Narratives, and Aesthetic Activity as Identity Work // Cynthia Lightfoot // 1.3 Cultural Modeling as a Frame for Narrative Analysis // Carol D. Lee, Erica Rosenfeld, // Ruby Mendenhall, Ama Rivers, and Brendesha Tynes // 1.4 Data Are Everywhere: Narrative Criticism in the Literature of Experience // Mark Freeman // Part II: Social-Relational Readings // 2.1 Construction of the Cultural Self in Early Narratives // Katherine Nelson // 2.2 Creative Uses of Cultural Genres // Colette Daiute // 2.3 Positioning With Davie Hogan: Stories, Tellings, and Identities // Michael Bamberg // 2.4 Dilemmas of Storytelling and Identity // Steven Stanley and Michael Billig // Part KK: Readings Through the Forces of History // 177 // 3.1 Narrating and Counternarrating Illegality as an Identity // Jocelyn Solis // 3.2 Transcendent Stories and Counternarratives in Holocaust SurvivorLife Histories: Searching for Meaning in Video-Testimony Archives // Sarah K. Carney // 3.3 Women of “The Greatest Generation”: // Feeling on the Margin of Social History // Abigail J. Stewart and Janet E. Malley // 3.4 Culture, Continuity, and the Limits of Narrativity: // A Comparison of the Self-Narratives of Native and Non-Native Youth // Michael J. Chandler, Christopher E. Lalonde, and Ulrich Teucher // 3.5 Once Upon a Time: A Narratologist’s Tale // Mary Gergen // Index // About the Editors // About the Contributors