Není zde uveden obsah, tedy doplňuji: Jedná se o Aristotelovu Poetiku a některé kapitoly z jeho Rétoriky. (@@20190203-19:52:06@@) -- 

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BK

Indianopolis : Hackett, 1987

xxxii, 110 s.

ISBN 0-02-348500-0

000072627

CONTENTS // Editor’s Introduction ...ix // Selected Bibliography...xxxi // Note on the Text ...xxxii // ARISTOTLE ON POETRY AND STYLE // THE POETICS // CHAPTER I... // Poetry as Imitation (3), Differences in Means of // Imitation (3), No Greek Word for Literature (4) // Chaftdl II ... // 3 // Differences in Models of Imitation (5) // Chapter 111... // Differences in Manner of Imitation (6), Dorian // Claims (6) // Chapter IV... // The Origins of Poetry (7), The History of Tragedy // (8) // CHAPTER V... // The History of Comedy (10), Epic and Tragedy: // Unity of Time (11) // Chapter VI... // The Definition of Tragedy (11), The Six Elements // or Aspects of Tragedy (12), Plot and Character // (13), Thought and Character (14), Diction, Music, // Spectacle (15) // Chapter VII... // Plot: Beginning, Middle, and End (15), Size or // Length (16) // 6 // 7 // 10 // 11 // 15 // V // VI ARISTOTLE ON POETRY AND STYLE // CHAPTER VIII...17 // Unity of Plot (17) // Chapter IX...18 // Tragedy and History (18), Names of Characters: // Traditional Legends (18), Types of Plots (20) // Chapter X...20 // Simple and Complex Plots (20) // Chapter XI...21 // Reversals and Recognitions (21) // Chapter XII...23 // The Sections of a Tragedy (23) // Chapter XIII...23 // Possible Changes of Fortune (23), The Tragic // Character (24), The Best Plots (24), The Double // Plot of Comedy (25) // Chapter XIV...26 // Pity and Fear should be due to Plot, not to // Spectacle (26), The Tragic Situation (27), Acting

// in Ignorance (27) // Chapter XV...29 // Four Aims in Characterization (29), The Supernatural (31), Characterization (31), Care for Details // of Presentation (32) // Chapter XVI...32 // Kinds of Recognition (32) // Chapter XVII...34 // Need to Visualize the Play (34), Emotions of the // Dramatist (34), The Outline (35) // CHAPTER XVIII...36 // Involvement and Unraveling (36), Four Types of // Tragedy (36), Epic and Tragic Plots (38), Defective // Plots (38), The Chorus (39) // Chapter XIX...40 // Thought (40), Diction: Modes of Expression (40) // CONTENTS vii // CHAPTER XX...41 // The Parts of Speech (41) // CHAPTER XXI...44 // Compound Words and Metaphors (44) // Chapter XXII ... 46 // Excellence of Diction (46) // Chapter XXIII...49 // The Epic (49) // Chapter XXIV...50 // The Epic-continued (50), The Marvelous and the // Inexplicable (53) // Chapter XXV...54 // Problems of Criticism (54), Intrinsic and Incidental // Flaws (55), Poetry and Truth (56), The Representation of Evil (56), Criticisms of Diction (56), The // Right Critical Attitude (59) // Chapter XXVI...61 // Tragedy and Epic (61) // RHETORIC [Book Three, Chapters 1-XII] // CHAPTER I...65 // History of Style and Delivery (66) // Chapter II...68 // The Right Diction (68), The Metaphor (70), Importance of Words (72) // Chapter III...73 // Causes of Frigidity (73) // Chapter IV...75 // Similes (75) // Chapter V...76 // Five Requirements of Style (76) // Chapter VI...79 // A Weighty Style (79) // viii ARISTOTLE ON

POETRY AND STYLE // CHAPTER VII...80 // Appropriateness (80) // CHAPTER VIII...82 // Prose Rhythm (82) // Chapter IX... 84 // Sentence Structure: the Period (84), Antithesis (86), // Parisosis and Paromoiosis (87) // Chapter X...88 // Happy Phrases (88), Examples of Metaphors (90) // Chapter XI...92 // The Active Metaphor (92), Examples of Wit (94), // Proverbs (96), Hyperboles (96) // Chapter XII...97 // Variations in Style (97), Asyndeton (98), Three // Kinds of Rhetoric (99) // BRIEF SUMMARY OF CHAPTERS XIII-XIX ...100 // BIOGRAPHICAL INDEX... 101