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0 (hodnocen0 x )

(2.4) Půjčeno:12x 

BK

Vyd. 1.

Ostrava : Ostravská univerzita v Ostravě, Filozofická fakulta, 2009

137 s. : il. ; 21 cm

ISBN 978-80-7368-650-5 (brož.)

Spisy Filozofické fakulty Ostravské univerzity ; 197/2009

Obsahuje bibliografii na s. 129-133 a bibliografické odkazy

České a německé resumé

000135724

Preface // Acknowledgements // List of abbreviations and symbols // Glossary of terms relating to the American Beauty database // 1/ THEORETICAL PART // Chapter One // The theory of functional sentence perspective // Chapter Two // History of research into nonverbal communication // 2.1 Earlier studies of nonverbal features // 2.2.1 RayL. Birdwhistell // 2.2.2 Birdwhistell’s contribution to gesture-speech analysis // 2.3 Adam Kendon // 2.4 David McNeill // 2.4.1 McNeill’s growth point // 2.4.2 McNeill’s approach to communicative dynamism // 2.4.3 McNeill’s achievements and the theory of FSP // II/ ANALYTICAL PART // Chapter Three // Preliminaries // 3.1 Research objectives and method // 3.2 Corpus characteristics posed gestures versus spontaneous communication // 3.3 Two modes of conveying information // 3.4 Distinct aspects of nonverbal features // 3.4.1 The deictic aspect // 3.4.2 The symbolic aspect // 3.4.3 The rhythmic aspect // 3.4.4 The autosemantic versus synsemantic aspect // 3.5 Distribution of communicative units // Chapter Four // Software selection and establishment of annotation rules // 4.1 An overview of historical and existing annotation and coding conventions // 4.2 Coding bodily movements // 4.3 Making a database using a paper notebook and an ordinary DVD player // 4.4 Professional software for making multimodal corpora // Chapter Five // Annotating data in "Elan" software // 5.1 Tier entitled ’Scene number’ // 5.2 Tier entitled ’Character’ //

5.3 Tier entitled ’Text’ // 5.4 Tier entitled ’FSP field’ // 5.5 Tiers entitled ’Intonation tier 1’ and ’Intonation tier 2’ // 5.6 Tier entitled ’FSP unit tier V // 5.7 Tier entitled ’FSP unit tier 2’ // 5.8 Tiers referring to ’bodily movements’ // 5.9 Paper notebook data and DVD player data compared to professional // software data // Chapter Six // Eyes and eyebrows // 6.1 Different gazing patterns // 6.2 Deictic eye expressions // 6.2.1 Signalling the addressee // 6.2.2 A gaze at an object other than the addressee // Signalling theme // Signalling theme by a gaze of synsemantic character // Signalling implicit theme by a gaze of synsemantic character Signalling hypertheme by a gaze of synsemantic character // Signalling theme by a gaze of autosemantic character // Signalling diatheme by a gaze of synsemantic character // Signalling rheme // Signalling rheme by a gaze of synsemantic character // Signalling rheme by a gaze of autosemantic character // 6.3 A gaze with the aim of obtaining information // 6.4 Symbolic eye and brow expressions // 6.4.1 The eyes wide open // 6.4.2 Raising the eyebrows // 6.4.3 Contracting the medial brow // 6.4.4 The eyes blinking // 6.5 Expressing rhythm nonverbally shutting and opening the eyes // 6.6 Looks away of cognitive origin // 6.7 Turn-taking and a gaze // 6.8 Expressing extralinguistic meanings // Chapter Seven // Visual prominence // Chapter Eight // Conclusion // Bibliography // Czech summary // German summary