SVAZEK 10 / 2009 : Mark FITZGERALD: New Music, Old Music, Newer Music The Cologne Soundscape in the Late 1970s // Greg HURWORTH: Musical Ethnography in Maramures: Fieldwork in the Shadow of Béla Bartók // Marek KEPRT: Structure of Chords in Compositions of Scriabins Middle Period // Jiří KOPECKÝ: The Opera Šárka by Zdeněk Fibich // Markéta KOPTOVÁ: Alma Mahler a Woman, Artist, Muse: From the Life of a Femme Fatale // Václav KRAMÁŘ: Work of Music Musical-Aesthetic and Legal Conception: On the Protection of the Copyright for a Work of Music in Dependence upon Transformation of the Musical Paradigma and Shifts in Terminology // Markéta KRATOCHVÍLOVÁ: Music under the Sediment of Ideology: Development of the Reception of the Work of Otakar Ostrčil // Lenka KRUPKOVÁ: Why The Makropulos Case is Most Popular with the Anglo-Saxons? A Probe into the Reception of Janáček’s Opera in Germany, England and the USA // Ivan POLEDŇÁK: Musicologist and Aesthetician in the Labyrinth of Politics and Ideology: Antonín Sychra // Jan VIČAR: Ivan Poledňák (An Obituary) // Martina STRATILKOVÁ: Husserlian Tradition in the Conceptions of Musical Time // Jan VIČAR: From Moravian Zauchtenthal through German Herrnhut to American Indians: On the Origins of Brass Music among American Moravians // Eva VIČAROVÁ: St Wenceslas Cathedral in Olomouc the Archbishop’s Sanctuary and the Centre of Cyrilian Reform // List of BA., MA. and Dissertation Theses Defended at the Department of Musicology, Philosophical Faculty, Palacký University, Olomouc, in the Years 1993-2009 // List of Studies Published in AUPO, Musicologica Olomucensia, I-X, 1993-2009