.

0 (hodnocen0 x )

BK

New York : Oxford University Press, [2013]

xiv, 458 stran : ilustrace, portréty, noty, faksimile ; 25 cm

ISBN 978-0-19-935740-6 (vázáno)

Obsahuje bibliografii na stranách 415-444, bibliografické odkazy a rejstřík

001459236

CONTENTS // List of Figures vii // List of Media Examples xi // Acknowledgements xiii // About the Companion Website xv // Introduction 1 // 1. Plato’s Curse 8 // Sounded Writing 8 // Performative Turns? 24 // 2. Page and Stage 33 // Theorist’s Analysis 33 // Performer’s Analysis 43 // Performance Analysis 49 // 3. What the Theorist Heard 56 // Affecting the Sentiment 56 // Spoken Melody, or Sung Speech 71 // Schenker vs. Schenker 80 // 4. Beyond Structure 91 // Structure in Context 91 // Mozart’s Miniature Theatre 98 // Rhetoric Old and New 110 // In Time and of Time 124 // 5. Close and Distant Listening 135 // Reinventing Style Analysis 135 // Forensics vs. Musicology 149 // Performing Poland 157 // The Savour of the Slav 166 // 6. Objective Expression 176 // Nature’s Nuance 176 // Phrase Arching in History 182 // Phrase Arching in Culture 209 // vi // 7. Playing Somethin’ 224 // Referents and Reference 224 // The Work as Performance 237 // CONTENTS // 8. Social Scripts 249 // An Ethnographic Turn 249 // Sociality in Sound 256 // Performing Complexity 273 // 9. The Signifying Body 288 // 31 August 1970, 3.30 am 288 // The White Man’s Black Man 299 // 10. Everything Counts 308 // Pleasures of the Body 308 // Bodies in Sound 319 // Building Bridges 324 // 11. The Ghost in the Machine 337 // Music Everywhere 337 // Original and Copy 351 // Signifying Sound 358 // 12. Beyond Reproduction 374 // The Best Seat in the Hall 374 // Acoustic Choreography 379 // Rethinking

the Concert 391 // Making Music Together 402 // References 415 // Index 445