.

0 (hodnocen0 x )

BK

Příručka

New Haven ; London : Yale University Press, [2006]

xii, 356 stran : noty ; 24 cm

ISBN 978-0-300-13632-6 (brožováno)

Obsahuje bibliografii na stranách 327-346, bibliografické odkazy a rejstřík

001459260

Contents // Acknowledgments, xi Introduction, i // 1 The Early Baroque, 5 Baroque Notation, 6 Scores and Editions, 7 Thoroughbass, 9 Accompaniment Instruments, ? Pitch, 13 Vibrato, 14 Words and Music, 18 Historical Pronunciation, 19 Italy, 19 // Voice Types and Registers, 20 Ornamentation, 21 England, 32 // Voice Types and Ranges, 33 Ornamentation, 35 France, 41 // Voice Types and Ranges, 42 Dance Forms, 43 // viii Contents // Notes inigales, 44 Ornamentation, 45 Diction, 49 // 2 The Late Baroque, 53 // Scores and Notation, 54 Modern Editions, 55 Tempo, 56 Articulation, 58 Rhythmic Alteration, 61 Legato, 62 // Vibrato and Breath, 64 Pitch, 65 // Period Instruments, 66 Recitative, 66 Italian Influence, 69 // Ornamenting Arias, 71 Handel’s Messiah, 77 Germany, 78 // Ornamentation, 79 J. S. Bach and His Singers, 84 France, 85 // Secular Cantatas, 86 Ornamentation, 87 // 3 The Classical Era, 92 // Scores and Editions, 93 Classical Instruments, 95 Articulation and Legato, 97 Tempo and Rhythm, 98 Voice Types and Ranges, 106 Mozart on Singers, 106 Vibrato and Portamento, 107 Recitative, 108 Ornamentation, no // 4 Italian Bel Canto, 126 // Scores and Editions, 128 // Articulation and Phrasing, 129 // Tempo, Rhythmic Flexibility, and Rubato. // Voice Types, 134 // Technique, 136 // Vibrato, 137 // Portamento, 139 // Contents ix // Ornamentation, 143 // Cadenzas and Improvised Florid Embellishment, 149 // 5 German Lieder, 160 // Editions, 162 // Transpositions, 164 // German Diction and

Technique, 166 // Articulation and Expression Marks, 169 // Embellishment, 171 // Notated Ornaments, 173 // Vibrato and Portamento, 181 // The Piano, 186 // Tempo and Rhythm, 187 // 6 French Mdlodies, 194 // Editions, Transpositions, and Voice Types, 196 // French Taste and Aesthetics, 199 // Ornamentation, 201 // The Performers New Role, 202 // Words and Music, 202 // Diction and Articulation, 203 // Portamento and Vibrato, 209 // Rhythm and Tempo, 212 // 7 Second Viennese School, 222 // Publications and Editions, 224 // Performance and Analysis, 226 // The Society for Private Musical Performance, 228 // Music and Text, 229 // Pierrot lunaire, 233 // Sprechstimme in Other Works, 240 // Dynamics and Articulation, 243 // Tempo and Rubato, 246 // Learning This Music, 248 // 8 Karly Twentieth-Century Nationalism, 251 Russia, 252 // Musorgsky and Olenina, 253 // Rimsky-Korsakov, Rachmaninov, and Chaliapin, 258 Prokofiev, 260 Shostakovich, 263 Editions and Language, 265 Spain, 266 // Falla, 267 // Contents // Rodrigo, 271 Editions, 272 England, 272 // Britten and Pears, 273 Editions, 278 United States, 278 Ives, 279 Copland, 280 Barber, 281 Editions, 284 // 9 Working with Living Composers, 286 Voice Types, 287 // Manuscripts, Revisions, and Published Scores, 290 // Notation, 293 // Special Vocal Effects, 294 // Other Special Instructions or Requirements, 296 // Learning Difficult Rhythms and Pitches, 297 // Vibrato, 299 // Text and Music, 300 // Composers as Performers, 302 // Using

Recordings, 304 // Conclusions: Einding the Composers’ Intentions, 305 Notes, 307 // For Further Reading, 327 Index, 347