.

0 (hodnocen0 x )

BK

Příručka

Second edition

New York ; London : Focal Press, Taylor & Francis Group, 2008

viii, 254 stran : ilustrace (převážně barevné), portréty ; 25 cm

ISBN 978-0-240-52055-1 (brožováno)

Obsahuje bibliografii na stranách 213-214 a rejstřík

001461649

contents // acknowledgements chapter 1 // introduction - playing God // what is stop motion? nature and caricature what this book is for // ix // 1 // 1 // 5 // 7 // chapter 2 // getting equipped 8 // what do you need? 8 // choosing a camera 9 // lenses 12 // animation software/frame grabbers 12 // tripods 15 // lighting 16 // the animator’s toolkit 1 8 // editing/sound 18 // glossary 19 // chapter 3 // getting animated 21 // animating familiar objects as a first approach 21 // setting up for the first time 22 // notes on movement 25 // timing: single frame or double frame? 27 // squash and stretch 29 // the dope sheet/X-sheet 30 // planning 32 // chapter 4 // keep it simple - developing your story 35 // idea - script - treatment 35 // planning your shots - basic film grammar/composition of shots 38 // the storyboard 43 // editing - animatics and story reels 47 // vi // contents // chapter 5 // coat-hangers for armatures - making your own model 51 // character design 51 // working with modelling clays 54 // making your own puppet 57 // 1. simple wire and plasticine puppet 57 // 2. durable clothed puppet 65 // chapter 6 // model makers - the professionals 76 // the moquette 77 // ball-and-socket armature 78 // mould making - hard and soft moulds 83 // casting 88 // coloring 93 // costumes/dressing 93 // model-making masterclass - ScaryCat Studio and the Duraceli bunny 95 // glossary of model-making materials 1 00 // chapter 7 // four walls and a sky - sets and props 102

research the look 102 // design and building of sets 1 03 // interior sets 108 // exterior sets 109 // forced perspective 1 10 // making props 1 1 1 // rigging 112 // glossary of materials for sets 1 1 3 // chapter 8 // sound advice - the voice track 114 // pre-production 1 15 // recording dialog 1 1 6 // sound breakdown 1 17 // lip sync 1 1 9 // music and effects copyright 1 24 // chapter 9 // the mechanics of movement 125 // studies from observation 1 25 // posing the model 1 28 // timing 129 // weight 131 // anticipation, action and reaction 1 34 // walking and running 139 // contents vii // the illusion of speed 142 // animal and bird movement 143 // chapter 10 // animation masterclass - Teresa Drilling 147 // the model 148 // on what creates a character 150 // first position 150 // the extreme downward position 153 // on Vinton’s 154 // beginning the upward move 154 // slowing down at the top of the move 158 // settling into the final position 1 62 // chapter 1 1 // the performance 166 // character animation 166 // comedy and comic timing 169 // subtle character animation 173 // chapter 1 2 // the production process 176 // lighting 177 // health and safety issues 1 80 // setting up the camera 1 81 // shooting with a rig 1 84 // special effects - tips and hints 1 88 // final checks before you hit that button 191 // interview with Tim Allen 1 92 // glossary 193 // chapter 1 3 // post-production 195 // timecode 195 // the picture edit 196 // sound 197 // titles and credits 199

// exporting your final film 199 // chapter 14 // getting the job - the business of animation 200 // know where you stand 201 // different work, different studios 201 // commercials 201 // series 203 // viii // contents // TV specials and features 206 // applying for jobs 209 // your showreel 209 // starting out as a runner 210 // festivals 210 // sending proposals to commissioning editors 21 1 // bibliography 213 // appendix 1 // software and recording equipment suppliers 215 // appendix 2 // manufacturers and outlets 217 // appendix 3 // calendar of animation festivals and film festivals // incorporating animation 221 // appendix 4 // animation courses that include or specialize in stop // motion, and related organizations and websites 235 // index 247 // ?