vi // ix // 1 // 47 // 71 // 72 // 83 // 100 // 156 // 204 // 234 // 274 // 305 // 319 // 325 // 336 // 337 // 338 // 349 // CONTENTS // Translator’s Preface A Note on the Edition // Wölfflin’s Principles of Art History {1915-2015): // A Prolegomenon for Its Second Century EVONNE LEVY // Approaching Wölfflin’s Principles TRISTAN WEDDIGEN // PRINCIPLES OF ART HISTORY: // THE PROBLEM OF THE DEVELOPMENT OF STYLE IN EARLY MODERN ART // Contents [1915] // Prefaces // Introduction // CHAPTER 1 The Linear and the Painterly CHAPTER 2 Plane and Recession // CHAPTER 3 Closed Form and Open Form (Tectonic and Atectonic) CHAPTER 4 Multiplicity and Unity (Multiple Unity and Unified Unity) CHAPTER 5 Clearness and Unclearness (Absolute and Relative Clarity) Conclusion // A Revision from 1933 as Afterword // Editors’ Notes Acknowledgments Biographical Notes on Contributors Illustration Captions and Credits Index