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Bibliografická citace

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First published
Brno : Masaryk University Press, 2019
115 stran ; 23 cm
Externí odkaz    Plný text PDF (Bookport) 
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objednat
ISBN 978-80-210-9366-9 (brožováno)
ISBN 978-80-210-9367-6 (online ; pdf)
Opera Facultatis philosophicae Universitatis Masarykianae = Spisy Filozofické fakulty Masarykovy univerzity, ISSN 1211-3034 ; 493
V prelimináriích uvedeno: Muni arts
200 výtisků
Obsahuje bibliografii na stranách 108-115 a bibliografické odkazy
České resumé
001491151
1 INTRODUCTION 9 // 2 ISHMAEL REED: THE OPINIONS OF THE MAN BEHIND THE NOVELS 14 // 2.1 Sources, Labels, and Stereotypes Rejected: On the Black Arts Movement, the Label of Satirist, and the Media Portrayal // of African Americans 15 // 2.2 On Sources Approved: On the Influence of Neo-HooDoo, Jazz, // and Everyday Life 19 // 3 RESEARCH METHODOLOGY: AN INTERDISCIPLINARY // APPROACH 24 // 3.1 General Theory of Verbal Humour: The Case for Incongruity ..25 // 3.2 GTVH: Its Limitations and Strengths 26 // 3.3 On the Critical Reception of GTVH 27 // 4 DEFINITION OF SATIRE AND IRONY: REFUSING TO STRUGGLE // WITH PROTEUS 30 // 5 THE EVOLUTION OF SATIRICAL TECHNIQUES IN THE NOVELS // OF ISHMAEL REED 34 // 5.1 Non-standard Sexuality: Its Definition and Targets 34 // 5.1.1 The Freelance Pallbearers in Context 35 // 5.1.2 Non-standard Sexuality in The Free-Lance Pallbearers 39 // 5.1.3 Yellow Back Radio Broke-Down in Context 41 // 5.1.4 Non-standard Sexuality in Yellow Back Radio Broke-Down.44 // 5.1.5 Flight to Canada in Context 46 // 5.1.6 Non-standard Sexuality in Flight to Canada 48 // 5.2 Contrast-based Irony: Its Definition and Targets 50 // 5.2.1 Contrast-based Irony in The Free-Lance Pallbearers 51 // 5.2.2 Contrast-based Irony in Yellow Back Radio Broke-Down 53 // 5.2.3 Mumbo Jumbo in Context 54 // 5.2.4 Contrast-based Irony in Mumbo Jumbo 58 // 5.2.5 The Last Days of Louisiana Red in Context 61 // 5.2.6 Contrast-based Irony in The Last Days of Louisiana Red .63 //
5.2.7 Contrast-based Irony in Flight to Canada 66 // 5.2.8 The Terrible Twos and The Terrible Threes in Context ..69 // 5.2.9 Contrast-based Irony in The Terrible Twos // and The Terrible Threes 72 // 5.3 Argument-based Satire: Its Definition and Targets 75 // 5.3.1 Reckless Eyeballing in Context 76 // 5.3.2 Argument-based Satire in Reckless Eyeballing 79 // 5.3.3 Argument-based Satire in The Terrible Threes 83 // 5.3.4 Japanese by Spring in Context 84 // 5.3.5 Argument-based Satire in Japanese by Spring 86 // 5.3.6 Juice! in Context 90 // 5.3.7 Argument-based Satire in Juice! 92 // 6 DISCUSSION: ARGUMENT-BASED SATIRE AGAINST // POST-RACIALITY 96 // 6.1 On the Dependency of Satire on Social Norms 97 // 6.2 On the American Movement to a Post-racial Society 98 // 6.3 On the Toll of Post-raciality on African Americans 100 // 7 CONCLUSION 104 // RESUMÉ 105 // BIBLIOGRAPHY 108
(OCoLC)1135613717
cnb003132122

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