.

0 (hodnocen0 x )

BK

First published

London ; New York : Routledge, Taylor & Francis Group, 2020

xxi, 498 stran : ilustrace, portréty, faksimile ; 26 cm

ISBN 978-1-138-58129-6 (vázáno)

Routledge international handbooks

Obsahuje bibliografie, bibliografické odkazy a rejstřík

001640331

List of contributors ix // Introduction 1 - Hannah Lewi, Wally Smith, Steven Cooke and Dirk vom Lehn // Framing interviews 13 // 1 Interview with Seb Chan 15 - Seb Chan, Hannah Lewi and Wally Smith // 2 Interview with Dave Patten 23 - David Patten, Dirk vom Lehn and Wally Smith // 3 Interview with Rory Hyde 35 - Rory Hyde, Dirk vom Lehn and Wally Smith // 4 Interview with Keir Winesmith 42 - Keir Winesmith, Hannah Lewi and Wally Smith // PART I // The emerging global digital CLAM sector 53 // 5 Theorising heritage collection digitisations in global computational infrastructures 55 - Fiona R. Cameron // 6 The networked image: the flight of cultural authority and the multiple times and spaces of the art museum 68 - Andrew Dewdney // 7 The distributed museum is already here: it’s just not very evenly distributed 81 - Ed Rodley // 8 Speculative collections and the emancipatory library 92 - Bethany Nowviskie // 9 Digital heritage profile in China’s museums: an evaluation of digital technology adoption in cultural heritage institutions 103 - Andrew White and Eugene Ch’ng // 10 Hacking heritage: understanding the limits of online access 116 - Tim Sherratt // 11 From planned oblivion to digital exposition: the digital museum of Afro-Brazilian heritage 131 - Livio Sansone // 12 Shared digital experiences supporting collaborative meaning-making at heritage sites 143 - Sara Peny, Maria Roussou, Sophia S. Mirashrafi, Akrivi Katifori and Sierra McKinney // PART II // Animating the archive 157 // 13 Neither a beginning nor an end: applying an ethics of care to digital archival collections 159 - Michelle Caswell and Marika Cifor // 14 Digital archives in Africa and the Endangered Archives Programme 169 - Graeme Counsel // 15 The Alan Vaughan-Richards archive: recovering tropical modernism in Lagos 178 - Ola Uduku //

16 Museum crowdsourcing—detecting the limits: eMunch.no and the digitisation of letters addressed to Edvard Munch 188 - Joanna Iranowska // 17 Digital and hybrid archives: a case study of the William J. Mitchell collection 199 - Thomas Kvan, Peter Neish and Naomi Mullumby // 18 Preserving Chinese shadow puppetry culture through digitisation 210 - Tin-Kai Chen // 19 Be engaged: facilitating creative re-use at the Netherlands Institute for Sound and Vision 219 - Gregory Markus, Maarten Brinkerink and Brigitte Jansen // 20 Cultural antinomies, creative complicities: Agan Harahap’s digital hoaxes 227 - Alexandra Moschovi and Alexander Supartono // PART III // Designing engaged experience 241 // 21 On virtual auras: the cultural heritage object in the age of 3D digital reproduction 243 - John Hindmarch, Melissa Terras and Stuart Robson // 22 Configuring slow technology through social and embodied interaction: making time for reflection in augmented reality museum experiences with young visitors 257 - Areti Galani and Rachel Clarke // 23 Exhibition design and professional theories: the development of an astronomy exhibition 270 - Dirk vom Lehn, Kate Sang, Richard Glassboroxv and Louise King // 24 Meeting the challenge of the immoveable: experiencing Mogao Grottoes Cave 45 with immersive technology 283 - Jeffrey Levin, Robert Checchi, Lori Wong, Garson Yu and Edwin Baker // 25 Immersive engagement: designing and testing a virtual Indian Residential School exhibition 296 - Adam Muller // 26 Hemispheres: transdisciplinary architectures and museum—university collaboration 305 - Sarah Kenderdine // 27 Human-centred design in digital media 319 - Indigo Hanlee // 28 Unlocking the glass case 326 - Peter Higgins // 29 The law of feeling: experiments in a Yolngu museology 335 - Paul Gurrumuruwuy and Jennifer Deger //

30 Henry VR: designing affect-oriented virtual reality exhibitions for art museums 345 - Andrew Yip, Paula Dredge, Anne Gerard-Austin and Simon Ives // 31 Websites as a publishing platform 353 - Tim Jones and David Simpson // 32 From shelf to web: first reflections on the O’Donnell marginalia project 358 - Julia S. Kuehns // 33 Interpreting the future 367 - Tony Holzner // PART IV // Locating in place 373 // 34 What could have Bean?: a digital construction of Charles Bean’s Australian War Memorial 375 - Anthea Gunn // 35 Succession: a generative approach to digital collections 389 - Mitchell Whitelaw // 36 Rephotography and the situating of then-and-now 397 - Hannah Lewi and Andrew Murray // 37 Hospicio Cabanas: seeing World Heritage through Google’s eyes 410 - Cristina Garduno Freeman // 38 The experience of using digital walking tours to explore urban histories 424 - Wally Smith, Dirk vom Lehn, Hannah Lewi, Dora Constantinidis and Katie Best // 39 Traces—Olion: creating a bilingual ‘subtlemob’ for National Museum Wales 441 - Sara Huws, Alison John and Jenny Kidd // 40 Investigating ‘ordinary’ landscapes: using visual research methods to understand heritage digital technologies and sense of place 450 - Steven Cooke and Dora Constantinidis // 41 Massive digital community archives in Colombia: an international partnership towards peace 463 - Diego Merizalde and Jon Voss // 42 Mapping an archive of emotions: place, memory and the affective histories of Perth’s riverscape 471 - Alicia Marchant // Afterword - Andrea Witcomb 484 // Index 488