Interpreting Klee: fusing the architectonic and the poetic -- On the withdrawal of the beautiful: Adorno’s and Merleau-Ponty’s readings of Klee -- Gadamer, Benjamin, aesthetic modernism, and the rehabilitation of allegory: the relevance of Klee -- Of Sartre, Klee, surrealism, and philosophy: toward a nonprosaic conception of consciousness -- Heidegger, Klee’s turn, and the origin of the work of art -- Fiscourse/digure: of nomadism, the specter of Oedipus, and the remnants of the sublime -- The rapture of sensuousness: color possesses me-- I am a painter.
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries