Introduction : the parodic impulse in the (not-so) fabulous Fifties -- The new, sick sense: the mediation of America’s health and humor at mid-century -- What, me subversive? MAD Magazine and the textual strategies and cultural politics of parody -- The parodic sensibility and the sophisticated gaze : nasculinity and taste in Playboy’s Penthouse -- Ernie Kovacs and the logics of television parody and electronic trickery -- Black tie, straightjacket : Oscar Levant’s sick life on TV -- Conclusion : television for people who hate television?
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries