Introduction -- The canon in practice -- The history of the discipline or how it became possible to study film -- The history of the canon: the development (and deconstruction) of the film studies canon -- Key approaches: genre theory -- Competing approaches: screen theory -- Reading a film -- Film studies and narrative theories -- Spectatorship and audience studies -- Creative engagement -- Film and identity -- Postmodernism and cultural studies -- Film as industry.
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries