Includes bibliographical references (p. [151]-156) and index
Introduction -- Towards the intertextual dialogism approach -- Towards post-celluloid adaptation -- From the pre-diction of crime to the pre-vision of screenless media : Spielberg’s adaptation of Philip K. Dick’s The minority report -- Adapting the literature of the double : manifestations of cinematic forms in Fight club and Enduring love -- Bullet-time, blood spraying time, and the adaptation of the graphic novel -- From shadows to excess : new media Hollywood and the digitizing of gothic monsters in Van Helsing -- Puppet Kong vs. synthetic Kong : Peter Jackson’s King Kong as post-celluloid adaptation -- Conclusion.
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