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0 (hodnocen0 x )

EB

ONLINE

New York : Routledge, 2013

1 online resource (xvii, 357 p.)

ISBN 9780203081266 (electronic bk.)

ISBN 9780415623919 (hbk)

aRoutledge studies in social and political thought ;$$v77

Includes bibliographical references and indexes

Introduction -- The public sphere as a theatrical arena of mocking contest: comedy, mask, laughter. The public and its masks: permanent hyper-critique and hypocritical performance -- Nietzsche’s intuitions: from theatre through humanist philology to Richard Wagner, or the genealogy of the modern world as stage -- Ridiculing as public weapon --The rebirth of theatre as comedy out of the spirit of the Byzantium -- The Byzantine spirit and its sources. Transmitting, receiving and nurturing the Byzantine spirit -- The rise of theatre in Venice -- The effect mechanism of Commedia dell’Arte: visions and realities of commedification -- Commedia dell’Arte: schismogenic sub-plots and irresistible stock-types -- Shakespeare: the tragedy of world history being a comedy -- Representing representation: visionary images of Commedia dell’Arte -- The rebirth of Commedia dell’Arte as the Avant-garde. The rebirth of Pierrot as suffering victim -- Obsessed with Paris and public fame: Richard Wagner, the mimomaniac revolutionary -- Pierrot and Pulcinella in between Paris and Petersburg: the Avant-Garde of Diaghilev and Meyerhold -- Conclusion.

Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries

001752613

full

(Au-PeEL)EBL1101410

(CaONFJC)MIL420676

(CaPaEBR)ebr10640540

(MiAaPQ)EBC1101410

(OCoLC)823389768