Includes bibliographical references (p. 259-279) and index
Iconoclasm : setting wounds in stone at the Musee des monuments francais (1795-1816) -- Transpositionality : the political gets personal in Constant’s Cecile -- Plagiarism : Duras, Desbordes-Valmore, and the scandalous potency of the woman author -- Harmony : Lamartine’s social pain -- Analogy : slavery to duplicity in Sand’s Indiana -- Fetishism.
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries