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EB

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Cham : Springer International Publishing AG, 2020

1 online resource (277 pages)

ISBN 9783030511890 (electronic bk.)

ISBN 9783030511883

Print version: Schachtner, Christina The Narrative Subject Cham : Springer International Publishing AG,c2020 ISBN 9783030511883

3.2.4.4 Media Carriers of Meaning and Their Addressees -- 3.2.5 Virtuality -- 3.2.5.1 The Relationship Between Virtuality and Reality.

2.2.1.1 Orientation and Agency -- 2.2.1.2 Self-knowledge and Self-understanding -- 2.2.1.3 Coherence and Change -- 2.2.2 Narrating Opening Up to the You -- 2.2.2.1 The Other as a Reference Point for Narrating -- 2.2.2.2 The Other as a Topic and Co-narrator -- 2.2.2.3 The Other as Part of the Narrative Self -- 2.3 Narrating as a Technology of Subjection and Enablement -- References -- Chapter 3: The Narrative Space of the Internet -- 3.1 The Sociocultural Charge of Media -- 3.2 The Structural Characteristics of Digital Media -- 3.2.1 Interconnectedness -- 3.2.1.1 Reciprocity -- 3.2.1.2 Heterogeneity and multiplicity -- 3.2.1.3 Openness -- 3.2.1.4 Dynamics -- 3.2.2 Interactivity -- 3.2.3 Globality -- 3.2.4 Multimediality -- 3.2.4.1 Language, Writing, and Text -- 3.2.4.2 Images -- 3.2.4.3 The Relationship Between Language and the Image ---

3.2.4.4 Media Carriers of Meaning and Their Addressees -- 3.2.5 Virtuality -- 3.2.5.1 The Relationship Between Virtuality and Reality.

The Narrative Subject -- Preface -- Acknowledgements -- Contents -- List of Figures -- About the Author -- Chapter 1: Introduction -- 1.1 The Sociocultural Significance of Narrating -- 1.2 The Subject-Theoretical Approach -- 1.3 Empirical Analysis -- 1.3.1 Methodology -- 1.3.2 Sample -- 1.3.3 Research Methods -- 1.4 Structure of the Book -- 1.5 Innovative Aspects -- 1.6 Major Themes -- References -- Chapter 2: Storytelling as a Cultural Practice and Life Form -- 2.1 Contexts of Storytelling -- 2.1.1 Time -- 2.1.1.1 Time as a Point of Reference for Storytelling -- 2.1.1.2 Time and Narrative -- 2.1.1.3 Time as a Product of Storytelling -- 2.1.2 Space -- 2.1.2.1 Spaces as Products of Narrating -- 2.1.2.2 Spaces as a Housing for Narrating -- 2.1.2.3 Spatial Connections -- 2.2 The Functions of Narrating -- 2.2.1 Narrating as a Technology of Self-construction ---

4.6.1 Setting Out and Breaking Away as a Biographical Project -- 4.6.2 Setting Out and Breaking Away as a Political Project -- References -- Chapter 5: A Theoretical Postscript: Time, Space, the Self and the You, and Digital Media as Narrative Constructions -- 5.1 Time Stamps -- 5.1.1 "I wanted to play football with the boys but …": Biographical Time -- 5.1.1.1 The Present as a Consequence of the Autobiographical Past -- 5.1.1.2 Current Life Circumstances as Justifying or Supporting Factors -- 5.1.2 "It’s like a political awakening …": Sociocultural Time -- 5.2 Spatial Relationships -- 5.2.1 Experiencing and Managing Boundaries -- 5.2.2 Spatial Crossings -- 5.2.3 Creating and Configuring Spaces -- 5.3 Representations of the Self -- 5.3.1 Standardization and Experimentation -- 5.3.2 Orientation -- 5.3.3 Division Versus Continuity ---

3.2.5.2 Virtual Spaces as Heterotopias -- 3.2.5.3 The Narrative Potential of Digital Heterotopias -- References -- Chapter 4: The Net Generation’s Stories: A Typology -- 4.1 Narrations About Interconnectedness -- 4.1.1 Showing and Exchanging -- 4.1.2 Seeing and Being Seen -- 4.1.3 Sharing -- 4.2 Self-Staging Narrations -- 4.2.1 The Adored Star -- 4.2.2 Role Model and Seeker in One -- 4.2.3 The Counter-Model -- 4.3 Stories About Supplying and Selling -- 4.3.1 Objects and Designer Products on Offer -- 4.3.2 Participatory Projects on Offer -- 4.4 Narrations About Managing Boundaries -- 4.4.1 Managing Boundaries as an Answer to Sociocultural Borders -- 4.4.2 Managing Boundaries as an Individual Need -- 4.5 Transformation Narrations -- 4.5.1 The Goal-Oriented Actors -- 4.5.2 The Role Player -- 4.6 Stories About Setting Out and Breaking Away ---

4.6.1 Setting Out and Breaking Away as a Biographical Project -- 4.6.2 Setting Out and Breaking Away as a Political Project -- References -- Chapter 5: A Theoretical Postscript: Time, Space, the Self and the You, and Digital Media as Narrative Constructions -- 5.1 Time Stamps -- 5.1.1 "I wanted to play football with the boys but …": Biographical Time -- 5.1.1.1 The Present as a Consequence of the Autobiographical Past -- 5.1.1.2 Current Life Circumstances as Justifying or Supporting Factors -- 5.1.2 "It’s like a political awakening …": Sociocultural Time -- 5.2 Spatial Relationships -- 5.2.1 Experiencing and Managing Boundaries -- 5.2.2 Spatial Crossings -- 5.2.3 Creating and Configuring Spaces -- 5.3 Representations of the Self -- 5.3.1 Standardization and Experimentation -- 5.3.2 Orientation -- 5.3.3 Division Versus Continuity ---

5.4 Connections with the You -- 5.4.1 Wrestling for the Other’s Attention -- 5.4.2 World Communication -- 5.5 Narrators, Narratives, Media: Cornerstones of Interplay.

3.2.5.2 Virtual Spaces as Heterotopias -- 3.2.5.3 The Narrative Potential of Digital Heterotopias -- References -- Chapter 4: The Net Generation’s Stories: A Typology -- 4.1 Narrations About Interconnectedness -- 4.1.1 Showing and Exchanging -- 4.1.2 Seeing and Being Seen -- 4.1.3 Sharing -- 4.2 Self-Staging Narrations -- 4.2.1 The Adored Star -- 4.2.2 Role Model and Seeker in One -- 4.2.3 The Counter-Model -- 4.3 Stories About Supplying and Selling -- 4.3.1 Objects and Designer Products on Offer -- 4.3.2 Participatory Projects on Offer -- 4.4 Narrations About Managing Boundaries -- 4.4.1 Managing Boundaries as an Answer to Sociocultural Borders -- 4.4.2 Managing Boundaries as an Individual Need -- 4.5 Transformation Narrations -- 4.5.1 The Goal-Oriented Actors -- 4.5.2 The Role Player -- 4.6 Stories About Setting Out and Breaking Away ---

5.5.1 No End in Sight -- 5.5.2 The Upswing of the Image -- 5.5.3 Transmedia -- References -- Chapter 6: Narrating as an Answer to Sociocultural Challenges -- 6.1 Detraditionalization -- 6.2 Pluralization -- 6.3 The Blurring of Borders -- 6.4 Individualization -- 6.5 Global Flows, Crossovers, and Hybridity -- 6.6 Round-up -- References -- Chapter 7: Narrative Production of Culture -- 7.1 Culture and Its Designers -- 7.2 The Future of Narrating in Translation -- 7.2.1 Narrating and Translating -- 7.2.2 The Translational Turn -- 7.3 Media, Culture, and Narrative Translationality -- References -- Index.

001894748

express

(Au-PeEL)EBL6352749

(MiAaPQ)EBC6352749

(OCoLC)1239988408