Univerzitní knihovna OU - Úplné zobrazení záznamu

Intro -- Acknowledgement -- Contents -- About the Author -- Chapter 1: Introduction: Design as a Discipline of Alternation -- References -- Chapter 2: The Blind Spot -- 2.1 The Incorporation of Everyday Knowledge -- References -- Chapter 3: The Everyday World and Intersubjectivity -- 3.1 Symbolic Interaction and the Generalized Other -- 3.2 Professional Indifference and Lack of Moral Judgment -- References -- Chapter 4: Design Research: Immersion and Intervention -- 4.1 Warm, Involving, and Risky -- 4.2 Research Through Design -- 4.3 Contingency and Serendipity -- References -- Chapter 5: Methods and Aspects of Field Research -- 5.1 The Foreign Worlds Next Door and Defamiliarization -- 5.2 Focused Ethnographies and Design Anthropology -- 5.3 Access to the Field -- 5.4 Researchers Role in the Field -- 5.5 Observation -- 5.6 Dimensions of Observation -- 5.7 Front and Back Regions -- 5.8 Interviews and Conversations -- 5.9 Narrative Interview -- 5.10 Ethnographic Interviews -- 5.11 The Senses -- 5.12 Things and Material Culture -- 5.13 Consumption Is Not Superficial -- 5.14 The Contingency of Things -- 5.15 Field Notes -- 5.16 Sketches and Illustrations -- 5.17 Photography and Video -- 5.18 Factors that Influence Production of Visual Data -- 5.19 Participant Produced Images -- 5.20 Digital Ethnography -- 5.21 Participatory Action Research -- 5.22 Participatory Photography and Cultural Probes -- 5.23 Photo Elicitation -- 5.24 Interventions -- 5.25 Withdrawing from the Field -- 5.26 Ethics -- References -- Chapter 6: Analysis -- 6.1 Transcriptions -- 6.2 Grounded Theory -- 6.3 Ethnosemantic Analysis -- 6.4 Structured and Narrative Interviews -- 6.5 Computer-Based Analysis -- 6.6 Visual Data -- 6.7 Things and Material Culture -- References -- Chapter 7: Representation and Reporting -- References -- Chapter 8: Epilogue -- References.

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