Univerzitní knihovna OU - Úplné zobrazení záznamu

Intro -- Contents -- Introduction: New Cosmopolitanisms: Rethinking Race, Geography, and Belonging -- I: Rootedness and the New Cosmopolitanism: Sovereignty, Hosts, Guests and Hospitality -- Africans in Calais: Migrants, Rights, and French Cosmopolitanism -- "In the Tangled Lily-bed": Rhizomatic Textuality and Rooted Cosmopolitanism in Pauline Hopkins’s Of One Blood -- Envoy to the World: Nomadic Cosmopolitanism in Yusef Komunyakaa’s The Emperor of Water Clocks -- The Pastiche of Discrepant "Minoritarian" Voices in Kiran Desai’s The Inheritance of Loss -- II: Minority Bodies -- Normative Materialist Cosmopolitanism -- From Edouard Glissant’s "The Open Boat" to the Age of Mass Migration -- Men in Eugenic Times: Wallace Thurman’s Infants of the Spring and the (Im)possibility of Cosmopolitan Friendship -- Across the Atlantic and Beyond: Tracing Cosmopolitan Agendas in Leslie Marmon Silko’s Gardens in the Dunes -- III: Minoritarian Mobilities -- Migrant Women’s Bodies in Transit: From Sub-Saharan Africa to Spain in Real Life and Film -- From a Japanese Notebook: Afro-Asian Critical Cosmopolitanisms in William Demby’s 1950s Reportage from Postwar Japan -- Lost in Transnation: Taiye Selasi’s Ghana Must Go -- Truncated Cosmopolitanisms: Post-apartheid Literary Identities in Ivan Vladislavić’s The Exploded View -- IV: Spaces and Vectors: Migration, Hybridity, Creolization -- The Trope of Displacement, the Disruption of Space: Cuba, a Moveable Nation -- An Angry, Mixed Race Cosmopolitanism: Race, Privilege, Poetic Identity, and Community in Natasha Trethewey’s Beyond Katrina and Thrall -- The Cosmopolitan Reality of Polish American Families -- Global Metropolis and the City of Neighborhoods: Polish Immigrants and New York City’s Two Cosmopolitanisms -- V: The Powers and Perils of Cultural Expression.

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