Univerzitní knihovna OU - Úplné zobrazení záznamu

Intro -- TABLE OF CONTENTS -- INTRODUCTION -- I. CRYPTO ARCHITECTURE: NOTES ON MACHINE LEARNING AND DESIGN -- II. AN INSTRUMENT FOR COMMUNICATION: THE SELF-ORGANIZING MODEL -- III. FORMAL CREATURES: GILLES CHATELET ’S METAPHORS -- IV. VOIDS, BRANDS, CHARACTERS, AND HOW TO DEAL WITH LOTS -- V. AMBIGUITY AND INFORMATION IN THE CONTEXT OF ’ NATURAL COMMUNICATION ’: AN OBSTACLE-ORIENTED GALOISIAN STANDPOINT -- VI. FROM THE BIT TO THE PIT: POETICS OF THE FINANCIAL MARKET -- VII. THE ART OF EXAGGERATION -- VIII. ARCHITECTURE, AN ARTIFICIAL INTELLIGENCE -- IX. THE AURAL: HEIDEGGER AND FUNDAMENTAL OTO-CHEIRO-LOGY II -- X. REFLECTIONS OF AN IMAGINARY OBJECT ON A SILURIAN LAKE -- XI. PENTECOST - A MODEL OF COMMUNICATION FOR 21 -- ST -- CENTURY ARCHITECTURE -- XII. BETWEEN DISEGNO & -- amp -- DESIGN THINKING -- XIII. CRYSTAL OF THINGS -- XIV. ARCHITECTURE OF THE DIAPHANOUS -- XV. THE DESIGNS OF THE NATURAL -- XVI. MYTHIC NOISE: ARCHITECTURES OF GEOLOGICAL COMMUNICATION -- XVII. PHOTONIC COMMUNICATIONS -- XVIII. SOFTNESS, HARDNESS: CONTEMPLATING ARCHITECTONIC CIRCUITS OF MEDIACY AND IMMEDIACY -- XIX. EXCERPTS FROM CHRONICLES OF THE DIGITAL -- XX. TRAVELLING ON PLANETS OF RESONATING CONCEPTS. IDENTIFICATION AND DIRECTIONALITY BETWEEN COMPUTATIONAL AND ARCHITECTONIC -- XXI. AN ESSAY ON THE GLOSSOMATIC PROCESS OF COMMUNICATING COMMUNICATIONS AND OTHER WORDS -- XXII. WHEN OTHERS PASSING BY BEHOLD: MEDIA STUDIES AND ARCHIVES ACROSS CULTURES -- XXIII. FLUID SPACES, ENCHANTED FORESTS -- XXIV. SPACE AS AFFECTIVE SENSE-MAKING CAPACITY -- XXV. A FEW PROTOCOL SENTENCES ON: NON-SYNTHESIS, THE VOLUMINOUS FORM OF IDEAS, TEMPORALITIES OF CREATION, HYPER-COMPATIBILITY -- XXVI. THE DIGITAL, A CONTINENT? ANARCHIC CITIZENSHIP WITHIN THE OBJECT-SPACE OF CUNNING REASON -- IMAGE REFERENCES.

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