Univerzitní knihovna OU - Úplné zobrazení záznamu

Intro -- Series Page -- Title Page -- Copyright -- Dedication -- Contents -- Preface -- Acknowledgments -- Abbreviations -- Introduction -- The Cultural Milieu of Murakami Haruki -- Murakami Abroad -- Murakami’s "International Style" -- Critical Responses To Murakami In Japan -- The Disaffected Hero -- Conclusion, or A Beginning -- Chapter One -- Mimesis, Formula, and Identity -- The Formulaic Structure -- The Formulaic Murakami -- Hard-Boiled Lyricism -- From Adventure To Romance -- Love, Rivalry, and Sexuality -- Formula and Postmodernity -- Chapter Two -- Metonymy, Magic Realism, and the Opening of the "Other" -- The State and Identity -- The Nameless, Faceless Narrator -- Magical Realism and the Unconscious -- Murakami’s Construction of "Inner Space -- The Early Works: Metonymical Links -- Textualization of the Inner Mind -- Entrances, Exits, and Rodent Traps -- Lost Lovers and Pinball -- Targeting the Political Center -- South of the Border, West of the Sun: Magical Realism, or Ghost Story? -- The Wind-Up Bird Chronicle: The Other Strikes Back -- The Act of Naming -- Conclusions -- Chapter Three -- Desire, the Symbolic Order, and Mass Society -- Existence and Civilization in Murakami Haruki -- Alienation of Desire: The Self Divided -- The Internal Quest -- The Crisis of Self: What Happens When Disappear? -- Love, Death, and Transfiguration -- Dance Dance Dance: The Repression of the Other -- Flux and Change in the Rapid Capitalist World -- Commodification of the Individual -- Conclusion -- Chapter Four -- Historiography, Ideology, and the Politics of Representation -- Historiography in Post-1970 Japan -- Reconstituting the 1960s in A Wild Sheep Chase -- Conclusion -- The Reluctant Postmodernist -- New Directions -- Bibliography -- Index.

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