Univerzitní knihovna OU - Úplné zobrazení záznamu

Intro -- Contents -- Acknowledgements -- Preface -- Through the Black Country, or, The Sources of the Thames Around the Great Shires of Lower England and Down the Severn River to the Atlantic Ocean -- Introduction. In and Against Crisis -- Section One. Moving Media -- The Literal, at Sea -- A Sensible Politics. Image Operations of Europe’s Refugee Crisis -- Controlling the Crisis -- Forensic Oceanography. Tracing Violence Within and Against the Mediterranean Frontier’s Aesthetic Regime -- Reframing the Border -- Migrant Images -- Listing -- Section Two. Mobile Positions -- "The Adouaba Project". Tranquilos, Adwaba and Moving Spaces -- Unsanctioned Agency. Risk Profiling, Racialized Masculinity, and the Making of Europe’s "Refugee Crisis" -- The Calais Crisis. Real Refugees Welcome, Migrants "Do Not Come" -- SOPHIA. The Language of "Trafficking" in the Mediation of Gendered Migration -- Solidarity and the Aporia of "We". Representation and Participation of Refugees in Contemporary Art -- Either You Get it Or You Don’t. A Conversation on LGBTQIA+ Refugees’s #Rockumenta Action -- Afterword -- Lies of the Land -- Bibliography -- List of Figures.

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