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0 (hodnocen0 x )

EB

ONLINE

1st ed.

Albany : State University of New York Press, 2022

1 online resource (328 pages)

ISBN 9781438488059 (electronic bk.)

ISBN 9781438488035

SUNY Series in Latin American Cinema Ser.

Print version: Garcia Blizzard, Monica The White Indians of Mexican Cinema Albany : State University of New York Press,c2022 ISBN 9781438488035

Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- The Persistent Privilege of Whiteness in Mexico -- Indigenista Visual Production and Cultural Anxiety -- Contextualizing Race and Gender On-screen -- Colonizing Desire -- Colonizing Subjectivity -- Whiteness, Melodrama, and Hegemony -- The White Indians of Mexican Cinema -- Chapter 1 Idealized Pre-Columbian Womanhood -- Zitari (1931) -- Chilam Balam (1957) -- Conclusion -- Chapter 2 Taming the Tehuana -- Nineteenthand Early Twentieth-Century Representations of the Tehuana in Mexico -- La Zandunga (1938) -- Tierra de pasiones (1943) -- Conclusion -- Chapter 3 Revolutionary Politics, Colonized Aesthetics -- La india bonita (1938) -- El indio (1939) -- Maria Candelaria (1944) -- Maclovia (1948) -- Looking Beyond Industrial Representation: Janitzio (1935) and "La potranca" (Raices, 1955) as Counterexamples -- Conclusion -- Chapter 4 Reframing Mestizaje: White Mayans, Indigenous Spirituality, and Cenote Suicides -- La noche de los mayas (1939) -- Deseada (1951) -- Conclusion -- Chapter 5 Maria Isabel: A White Indita for Modern Mexico -- Maria Isabel (1967) -- El amor de Maria Isabel (1970) -- Conclusion -- Chapter 6 Indios, Desire, and the White Mexican Woman -- Tribu (1935) -- Lola Casanova (1949) -- Tizoc (Amor indio) (1957) -- El violetero (1960) -- Beyond the Golden Age -- Conclusion -- Conclusion -- Bibliography -- Index.

Examines the filmic representation of Whiteness as Indigeneity and its role in mediating racial politics in Mexico..

001896858

express

(Au-PeEL)EBL6940978

(MiAaPQ)EBC6940978

(OCoLC)1294398971