Print version: Paszkiewicz, Katarzyna Genre, Authorship and Contemporary Women Filmmakers Edinburgh : Edinburgh University Press,c2017 ISBN 9781474425261
Intro -- Title page -- Copyright -- CONTENTS -- FIGURES -- ACKNOWLEDGEMENTS -- INTRODUCTION: IMPOSSIBLE LIAISONS? GENRE AND FEMINIST FILM CRITICISM -- 1. SUBVERSIVE AUTEUR, SUBVERSIVE GENRE -- 2. REPEAT TO REMAKE: DIABLO CODY AND KARYN KUSAMA’S JENNIFER’S BODY -- 3. HOLLYWOOD TRANSVESTITE: KATHRYN BIGELOW’S THE HURT LOCKER1 -- 4. GENRE IN THE MARGINS: KELLY REICHARDT’S MEEK’S CUTOFF -- 5. GENRE ON THE SURFACE: SOFIA COPPOLA’S MARIE ANTOINETTE -- 6. WHAT A WOMAN WANTS? NANCY MEYERS’S THE INTERN -- AFTERWORD: DESPERATELY SEEKING WONDER WOMEN -- BIBLIOGRAPHY -- Index.
Assesses Irish republicanism’s strategic process of moderation, from violence to peace and power..