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0 (hodnocen0 x )

(1) Půjčeno:1x 

BK

First published

New York ; London : Routledge, Taylor & Francis Group, 2016

xx, 285 stran : ilustrace ; 23 cm

ISBN 978-1-138-83169-8 (brožováno)

Obsahuje bibliografii, bibliografické odkazy a rejstřík

001946631

Preface ix // Note from the Cover Artist: “Changing the Guard: From ‘Semper Fi Panavision’ to ‘Insurgent Crowd-Sourcing”’ xvii // I. Tools of the Trade 1 // 1 I Like My Bots Like I Like My People: Weird, Mixed, Always Acting 3 - Chris Peterson // 2 Performance, Labor, and Stardom in the Era of the Synthespian 11 - Mary Desjardins // 3 How Global Is Hollywood? Division of Labor from a Prop-Making Perspective 23 - Patrick Vonderau // II. Being the Brand 37 // 4 Working the Booth: Promotional Models and the Value of Affective Labor 39 - Nina B. Huntemann // 5 From Broadcast Design to ‘On-BrandTV’: Repositioning Expertise in the Promotional Screen Industries 46 // Catherine Johnson and Paul Grainge // 6 Pop Stars Perform ‘Gay’ for the Male Gaze: The Production of Fauxmosexuality in Female Popular Music Performances and Its Representational Implications 59 - Kristin J. Lieb // III. Production Pedagogies 73 // 7 Craft, Creativity, Collaboration, and Connections: Educating Talent for Danish Television Drama Series 75 - Eva Novrup Redvall // 8 Charity Appeals as ‘Poverty Porn’? Production Ethics in Representing Suffering Children and Typhoon Haiyan Beneficiaries in the Philippines 89 - Jonathan Corpus Ong // 9 Group W ri ting for Post-Socialist Television 105 - Eva Pjajakova and Petr Szczepanik // IV. Putting the Public Back in Public Service 121 // 10 Public Service as Production Cultures: A Contingent, Conjunctural Compact 123 - James Bennett //

11 Invisible Workers in an Invisible Medium: An Ethnographic Approach to ItaHan Public and Private Freelance Radio Producers 138 - Tiziano Bonini and Alessandro Gandini // 12 Detachment, Pride, Critique: Professional Identity in Independent Factual Television Production in Great Britain and Germany 150 - Anna Zoellner // 13 CBC ArtSpots and the Activation of Creative Citizenship 164 - Mary Elizabeth Luka // V. Transnational Circuits 173 // 14 Avenues of Participation and Strategies of Control: Video Film Production and Social Mobility in Ethiopia and Southern Nigeria 175 - Alessandro Jedlowski // 15 From Experiencing Life to Life Experiences: Location Shooting Practices in Chinese and Taiwanese NewWave Cinemas 187 - Dennis Lo // 16 The Crunch Heard’Round the World: The Global Era of Digital Game Labor 196 - John Vanderhoef and Michael Curtin // VI. Redefining the Industry 211 // 17 “What Actually Matters”: Identity, Individualization, and Aspiration in the Work of Glossy Magazine Production 213 - Nicholas Boston and Brooke Erin Duffy // 18 The Trick of the Trades: Media Industry Studies and the American Comic Book Industry 227 - Alisa Perren // 19 Co-Producing Content for Pan-Arab Children’s TV: State, Business, and the Workplace 238 - Naomi Sakr and Jeanette Steemers // 20 Keep Big Government out of Your Television Set: The Rhetoric of Self-Regulation before the Television Code 251 - Deborah L.Jaramillo // Select Bibliography 259 // List of Contributors 265 // Index 271

(OCoLC)913375515