7 Foreword by Alain Seban // 9 Foreword by Kristen van Riel // 11 Foreword by Alfred Pacquement // 13 Introduction: Henri Cartier-Bresson, Here and Now // 16 Hard Pleasure // 128 In the Shadow of the Brown House // 34 RISING SIGNS // 30 Preamble // 42 In the Style of Atget // 52 Impressions of Africa // 58 The New Vision // 74 The Golden Section // 84 THE ATTRACTION OF SURREALISM // 86 Fixed-Explosive // 92 Veiled-Erotic // 102 Magic-Circumstantial // 110 The Salt of Distortion // 118 Daydreamers // 148 POLITICAL COMMITMENT // 150 The Face of Poverty // 158 Watching the King Go By // 168 The Discovery of Free Time // 174 Reporting for the Communist Press // 186 FILM AND WAR // 188 Working for Jean Renoir // 192 Filming the War in Spain // 196 The Last Days of the Reich // 206 Le Retour // 212 Global Realignment // 344 Shooting Photographs // 232 THE CHOICE OF PHOTO REPORTAGE // 234 Gandhi’s Funeral, 1948 // 24O The Last Days of the Kuomintang, 1948 // 248 Russia after the Death of Stalin, 1954 // 256 Colour, a ‘Professional Necessity’, 1950-68 // 2Ó6 Commissioned Portraits, 1944-61 // 274 The ‘Six Jours de Paris’, 1957 // 282 Cuba after the Missile Crisis, 1963 // 292 Vive la France, 1968-70 // 354 AFTER PHOTOGRAPHY // 356 A Time of Contemplation 3Ó6 Starting to Draw Again // 29? VISUAL ANTHROPOLOGY // ЗОО Dancing in the Cities ЗЮ Man and Machine // 318 Icons of Power // 320 The Consumer Society // 334 The Crowd Phenomenon з8о List of Works and Documents // 388 Selected Bibliography // 393 Picture Credits // 395 Acknowledgments // 397 Credits // 398 Index