Univerzitní knihovna OU - Úplné zobrazení záznamu

List of Figures // Acknowledgement // Modernity - History - Politics // Modernities and Modernisms 5 // Questions of 1928 7 // Political, Historical, and Time Frame 9 // Czechs and Germans 14 // Book Structure 16 // Conclusion 18 // Notes 18 // 1 Modernism // New Platforms for Modern Art 24 Manifesting Modernism 26 // Anna Costenoble in Prague: Gendered Modernismi 29 // Rodin, Munch and Czech Art 34 // Between Internationalism and Nationalism 38 // The Persistence of National Art 42 // Regional Nationalism and Regional Modernism 45 // Conclusion 48 // Notes 49 // 2 The People // The People as a Subject 58 “Czechoslavic” Life on Display 63 Moravian Barbizon 65 // Understanding and Interpreting the Vernacular 70 The Vernacular in Architecture 72 A View from Abroad 76 Conclusion 78 Notes 79 // vi Contents // 3 Society // Art and the Proletariat 86 Opening Windows of Czech Art 89 Architecture and the People 94 Proletarian Art and the Capek Brothers 98 “Primitive” Art and Primitivism 101 After Proletkult: Devetsil and Poetism 103 Social art: HoHoKoKo 107 Conclusion 109 Notes 110 // 4 Identity // Czechoslovakia and the Czechoslovak Nation 118 // Czechoslovak Identity and Art History 120 // West or East: Affiliations of Czech and Czechoslovak Art 123 // Czechoslovakism 126 // The Idea of Czechoslovak Art 127 // Czechoslovak Vernacular: A Critique 130 // Discipline and Democracy in the East 133 // Conclusion 138 // Notes 138 // 5 Traditions // Traditions and the War 146 // Tradition in Art History 148 // Slavic Traditions and Alfons Mucha 151 // Censorship and Reactionism 154 // Exhibiting Contemporary Culture in 1928 159 // Limits of the Avant-garde 162 // The End of the Avant-garde 168 // Conclusion 171 // Notes 172 // Conclusion // Modern Nation 179 Beyond the Metropolis 180 Modern Traditions 181 Art and Class 181 Critical Voices 182 Modernity, History, Politics 183 Notes 184 // Bibliography // Index

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